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But these arenвЂ™t the Paula Coopers, Barbara Gladstones, or Florence Bonnefous of the art world-women whose acumen and sensibilities built institutions. Their вЂњstruggleвЂќ to find a fledgling voice is broadcast to the masses. These young, nakedly ambitious women get marinated, grilled, and served up to the hungry public. Gallery Girls offers up a devastating model for future generations: the Stepford gallerist. ItвЂ™s the biggest thing, and thereвЂ™s always cute boys there!вЂќ Maybe Amy and I frequent different houses? And weвЂ™re all dying to see what goes for what price. As a preamble to a small-beans day sale at Phillips de Pury, Amy (Upper East Side) spews: вЂњAuctions have so much energy and theyвЂ™re so fun. вЂњWorkвЂќ for these girls consists of folding dog-poop bags for lecherous dealers (Maggie), losing a top for вЂњfashion photographersвЂќ (Angela), downing one too many at an opening dinner (Amy), ferrying MurrayвЂ™s bagels to private jets at Teterboro (Kerri), or asking their boss to run for a caramel macchiatto (Liz). Though there are some fun tautologies: вЂњHowвЂ™s work?вЂќ asks Angela, pulling up with the girls at yet another steampunk watering hole. Surprise! Not one fleshed-out thought falls from the lipsticked mouths of these caricature ladies. вЂњDo you see how my face lights up when we talk about me?вЂќ Angela asks from behind the retina screen.

The only consistent thread running through the greater allegory is the incessant hum of a solipsistвЂ™s narcissistic chatter.

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Sporting various zip codes, heels, and hemlines, each girl harbors (largely unarticulated) dreams that are not dissimilar from the next. Just in case you canвЂ™t determine these demographics in gridded New York, the producers flash a map between each scene. Consistently smiling Kerri (West Village via Long Island) slides easily among the castes. Williamsburg, perhaps? Now that Lena Dunham and Lana Del Rey have put Greenpoint on the map, will Bravo jump to catch up? We only know that this contingent dresses in black and that red lipstick permanently clings to their teeth. We donвЂ™t yet know which neighborhoods the latter are from. Amy (Upper East Side), Liz (Gramercy), and Maggie (Murray Hill) are pitted against their poorer, but business-minded, do-it-yourself Brooklynites: Angela, Chantal, and Claudia.

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Watch each girl bad-mouth the other as they vie for something, although we (and they) canвЂ™t quite locate what that something actually is, because, as much as any producer disguises it, the end goal is for the series to be over so that these girls can do something-anything-else.Д®ach character projects a different socioeconomic status. Step into the lives of seven would-be art doyennes as they navigate the subtleties of one very insider-y industry. Welcome to the fantasy world cooked up by Bravo TV, a behind-the-scenes look at one of New YorkвЂ™s most specialized and last unregulated markets: the art world.

She knows that sheвЂ™ll go to yoga in the morning, and then maybe show up to her вЂњjobвЂќ two hours late. Who doesnвЂ™t have a plan? A business plan? A life plan? A night plan? Or, God forbid, a day plan? The only decisive statement in the first two episodes of Gallery Girls comes from Chantal, co-owner of End of Century, a boutique/gallery on the Lower East Side. It might be a recession, but a girl can dream and drain her trust fund. Should I quit my job to join the rank of interns at SoHoвЂ™s infamous Eli Klein Fine Art? Sigh. OH MY GOD, IвЂ™m having a quarter-life crisis.

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Gallery Girls, 2012вЂ“, still from a TV show on Bravo.